Photos of some of the beautiful and unusual guitars which I have owned, restored, or sold.

 

Guitars which are currently for sale will be listed on the FOR SALE page

ISANA

JAZZ-GITARREN REFERENCE PAGE

Photos and Contributions welcome!

 

Isana Business Details

 

From 1951-1974, Josef Sandner hand-built ISANA guitars in his 'Specialist Workstation For JazzGuitars' in Nauheim, Near Frankfurt, Germany.

 

Elvis with Isana Jazzguitar

 

Several models were produced, but the most desirable is the stylish Black Archtop owned by Elvis Presley whilst stationed a few miles away in Bad Nauheim, near Frankfurt, Germany 1958-1960.

Elvis with Isana Jazzgitarre

 

"Elvis' father Vernon bought an 'Isana' guitar at the music shop 'Hummel' in Frankfurt on 12-20-1958, a noble instrument finished with black piano lacquer at the price of DM 225,00, and gave it to Elvis as a Christmas present. Later Elvis added a floating neck pickup to the instrument and played it through a Dynacord amp."

(translated from http://www.elvisforever.de)

 

Elvis with Isana Guitar

For many years (pre-c.2004) this guitar's maker was notoriously unidentified in the Elvis fan and guitar collector worlds.

 

Elvis with Isana Jazzgitarre

 

In 2006, an Isana alleged to be Elvis' personal guitar came on the market, being at that time mistakenly termed a 'Jsana' through a mis-reading of the company logo. A fanciful press-release from the time claimed it to be 'possibly the only remaining example in the world'. This guitar with it's dubious provenance repeatedly failed sell when offered by Heritage Auctions. It was subsequently loaned for display at the Memphis Museum of Rock 'n' Soul.

 

Elvis Exhibition of Isana Guitar

 

The above guitar is not unversally agreed to be Elvis' own guitar. It would appear more likely that his personal one has been on display at the newly-opened Elvis Presley Museum Dusseldorf since 2012 (below)

 

Elvis Presley Museum Dusseldorf Isana Guitar

 

 

General Isana Dating Information:

 

Month and Year of manufacture is ink-stamped (quite small!) inside the Archtop models, on the inside face of the backplate, directly beneath and visible through either (or often both) soundhole(s). It is usually very faded and faint, and hard to locate and read - try using a very bright torch!

Since the known production date of the 'Elvis' model spans 5 years (OKT 1956- MAI 1961), it seems a reasonable guess that a maximum of 1000 of this model may have been built, perhaps less than one fifth (200 examples) in black. The most common finishes appears to have been the Red-black or Orange-Black Sunburst, with slightly less in Tobacco Brown Sunburst or Orange Sunburst. Only a very few examples (I know of seven including Elvis') have surfaced in Black finish. None are yet known to me in Blonde or Natural finish.

Earliest known black example, dated OKT 56

Isana Archtop Guitar

The above example shows the production date, 'NOV 1957'

Isana Guitar

This 'Black Rose' sunburst example bears a date-stamp 'OKT 1959'

 

 

Other ISANA Archtop Models, and Speculative Timeline

 

Josef Sandner is believed to have produced these guitars either alone, or in a small-workforce workshop, and is believed unrelated to Franz Sandner of FASAN Guitars, and similarly beleived unrelated to Alois Sandner who made ALOSA Guitars, although speculation abounds as to there having been collaborations or business relationships between them... fuelled by their relative geographical proximities and broad stylistic similarities... however in the details and subtleties in the output known from these brands are many distinct differences...

 

However, there are also many other similar guitars that display Isana-like features, but which bear no branding, or a variety of other names, such as 'Oscha', 'S und S' - It was common practise for a distributor or even the original seller's shop to add their own perfectly professional-looking decal labels to guitars in these days, so the situation is by no means clear cut.

 

Here, I will focus on known Isana-branded archtop models

 

Years as 'stated' may refer to a model produced for several years either side of that date!

 

I have tried to sort the pictured guitars chronologically according to known date stamps, correlating the stylistic changes with popular trends in guitar design.

Note: When I assembled the following 'chronology', I believed the date of manufacture could be inferred by the style of tailpiece, but it appears Plain, Lyre, & Harp forms were all readily available from the same supplier throughout the 1950s. Since the modest cost of a plain unit would be tripled for Lyre or Harp form, it is more likely to be an indication of the manufacturer's designation of Standard or Deluxe model. (Also, one should bear in mind that these tailpieces are very easily swapped!)

c.1951-54

Big-bodied 'Deluxe' Non-Cutaway Blonde Models

Glitter Headstock Veneers with thin-stripes, Harp-Shaped Tailpiece

another example:

 

Medium-bodied 'Deluxe' Non-Cutaway Models

Glitter Headstock Veneers with thin-stripes, Lyre-form Tailpiece

 

 

c.1953

Cutaway Models introduced

 

Large-bodied example below, retains glitter on headstock, but thin stripes simplified

 

pickguard shapes inconsistant:

 

Dated Dez 1954 - Body Stamp

 

 

 

post c.1954?

All-Pearloid Headstock Veneers

 

Non-Cutaway Budget Model

Dot-Markers as used by Fasan, simplified headstock veneers as per (assumed) mid '60s budget models, traditional f-holes...

Dated Sept 1954? or 1956?

 

c.1956

"1956", dating method unverified (above)

 

Similar cutaway model, but different tailpiece and pickguard shape.

1957

Deluxe 'Elvis' Model Introduced

 

1958-60

Lots of Elvis Models produced, many exported to Australia

Noted Variations include Headstock Taper, rounded Tuner Buttons

 

 

 

1961

Orange Bursts, and Stripey Sides

Latest confirmed Elvis Model Date-Stamped May 1961

 

 

Trussrods introduced, recess covered by Long Metal plate (c.1961 only)

Electric Models Introduced, floating pickups on Pickguard Assembly

Soundholes take on a wider shape

(Ideal?) Pickups and Controls mounted directly on top

 

c.1962

Metal Trussrod Plate replaced by conventional Plastic Triangle

Headstock Shape Changed

 

 

 

...and a Thinline Double-Cutaway!

Pickguards from now on are 'reversed' direction

 

c.1963-7

Headstock Veneers Simplified

Offset 'toaster' style pick-ups fitted

 

Are these Budget non-trussrod Acoustics from the mid 1960s, or a decade earlier?

Dated Jan 1962 (or possibly 1967, 1952, or 1957?) - Body Stamp

 

 

c.1967

Headstock Colour Inverted & Simplified again

Double 'toaster' style pick-ups fitted

 

c.1968?

Headstock Decoration very minimal, carries Logo

Dot position Markers (even on third fret!)

c.1969

Headstock Veneers Ornate on this

Traditional 'f'-holes, triple pickup Double cutaway

 

 

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